646f9e108c The legend of Yamashita's Gold lures a treasure hunter and his group deep into the Indonesian jungle. Once they are trapped in an abandoned World War II Japanese bunker, they face the terrifying reality that the only way out is to go further in.
In an isolated island in Indonesia, an expedition is apparently seeking the legendary Yamashita's Gold. Out of the blue, they are attacked and seek refugee in an abandoned Japanese bunker. Soon they discover that the place was a secret laboratory in the World War II where the prisoners were guinea pig in weird experiments. Further, they are trapped inside with strong and resistant creatures created by these experiments. Will they succeed to escape from the dead mine?
If you haven't already seen it, i recommend you to see Outpost 1 & 2 thriller movies. <br/><br/>This movie is a bad imitation of Outpost and Predator movies. <br/><br/>Rating: Script: 1/10 Scene Effects: 4-5/10 Actors: 2 (No feeling at all not even at a single line) Mix of the above : -5/10<br/><br/>The scenery in many scenes looks fake. The main monsters are nothing special<br/><br/>Highly predictable!<br/><br/>Actually i couldn't find a good thing to tell about this movie.<br/><br/>Again!!! <br/><br/>http://www.imdb.com/title/tt0892899/<br/><br/>http://www.imdb.com/title/tt1418712/?ref_=tt_rec_tti
"Dead Mine" is a dreadful movie along the lines of "The Descent" except that Japanese troops from World War II are hiding in a remote cave. The protagonist, Warren Price (Les Loveday), is leading a heavily-armed group of guys with guns searching for the legendary gold horde of General Yamashita in an isolated, shutdown mine in this modest Indonesian horror thriller. Gunmen drive our heroes into the mine, and they encounter pasty-faced guys and old-fashioned samurai warriors. Eventually, they discover that hideous experiments were conducted on soldiers. Nothing struck me as remotely scary. This is one of those movies where everybody dies and we're supposed to enjoy the way that the villains—Japanese soldiers from World War II—administer death with their swords. Characterization is flat, exposition is perfunctory, while performances are adequate. The opening scene when an armed man is sucked into a hole gets things moving fast but it is nothing designed to induce long range horror. Like but never as compelling as "The Descent."
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